首页 / 官方藏书 / Renaissance in Italy, Volume 3 (of 7) / The Fine Arts / Two Periods in the True Renaissance—Andrea Mantegna—His Statuesque Design—His Naturalism—Roman Inspiration—Triumph of Julius Cæsar—Bas-reliefs—Luca Signorelli—The Precursor of Michael Angelo—Anatomical Studies—Sense of Beauty—The Chapel of S. Brizio at Orvieto—Its Arabesques and Medallions—Degrees in his Ideal—Enthusiasm for Organic Life—Mode of treating Classical Subjects—Perugino—His Pietistic Style—His Formalism—The Psychological Problem of his Life—Perugino's Pupils—Pinturicchio—At Spello and Siena—Francia—Fra Bartolommeo—Transition to the Golden Age—Lionardo da Vinci—The Magician of the Renaissance—Raphael—The Melodist—Correggio—The Faun—Michael Angelo—The Prophet.

Two Periods in the True Renaissance—Andrea Mantegna—His Statuesque Design—His Naturalism—Roman Inspiration—Triumph of Julius Cæsar—Bas-reliefs—Luca Signorelli—The Precursor of Michael Angelo—Anatomical Studies—Sense of Beauty—The Chapel of S. Brizio at Orvieto—Its Arabesques and Medallions—Degrees in his Ideal—Enthusiasm for Organic Life—Mode of treating Classical Subjects—Perugino—His Pietistic Style—His Formalism—The Psychological Problem of his Life—Perugino's Pupils—Pinturicchio—At Spello and Siena—Francia—Fra Bartolommeo—Transition to the Golden Age—Lionardo da Vinci—The Magician of the Renaissance—Raphael—The Melodist—Correggio—The Faun—Michael Angelo—The Prophet.

Renaissance in Italy, Volume 3 (of 7) / The Fine Arts · John Addington Symonds · 第 9 / 19 章