首页 / 官方藏书 / A History of Pantomime / Roman Theatres—Description—"Deadheads"—Pantomime in Italy—Livius Andronicus—Fabulae Atellanae—Extemporal Comedy—Origin of the Masque, Opera, and Vaudeville—Origin of the term Histrionic—Etruscans—Popularity of Pantomime in Italy—Pantomimists banished by Trajan—Nero as a Mime—Pylades and Bathyllus—Subjects chosen for the Roman Pantomimes—The Ballet—The Mimi and Pantomimi—Archimimus—Vespasian—Harlequin—"Mr. Punch"—Zany, how the word originated—Ancient Masks—Lucian, Cassiodorus, and Demetrius in praise of Pantomime—A celebrated Mima—Pantomimes denounced by early writers—The purity of the English stage contrasted with that of the Grecian and Roman—Female parts on the Grecian and Roman stages—The principal Roman Mimas—The origin of the Clown of the early English Drama.

Roman Theatres—Description—"Deadheads"—Pantomime in Italy—Livius Andronicus—Fabulae Atellanae—Extemporal Comedy—Origin of the Masque, Opera, and Vaudeville—Origin of the term Histrionic—Etruscans—Popularity of Pantomime in Italy—Pantomimists banished by Trajan—Nero as a Mime—Pylades and Bathyllus—Subjects chosen for the Roman Pantomimes—The Ballet—The Mimi and Pantomimi—Archimimus—Vespasian—Harlequin—"Mr. Punch"—Zany, how the word originated—Ancient Masks—Lucian, Cassiodorus, and Demetrius in praise of Pantomime—A celebrated Mima—Pantomimes denounced by early writers—The purity of the English stage contrasted with that of the Grecian and Roman—Female parts on the Grecian and Roman stages—The principal Roman Mimas—The origin of the Clown of the early English Drama.

A History of Pantomime · R. J. Broadbent · 第 2 / 7 章