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The Poems of Felicia Hemans
Mrs. Hemans
· Poetry · 129 章
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目录
POEMS
Chapter 2
Chapter 3
CONTENTS
CHRONOLOGY OF MRS HEMANS’ LIFE AND WORKS
ENGLAND AND SPAIN; OR, VALOUR AND PATRIOTISM.
TO MR EDWARDS, THE HARPER OF CONWAY.
Chapter 8
EPITAPH ON MR W——,
PROLOGUE TO THE POOR GENTLEMAN,
THE RESTORATION OF THE WORKS OF ART TO ITALY.
XLVIII.
XCVII.
EXTRACTS FROM CONTEMPORARY REVIEWS.
SONNET 282.
BERNARDO TASSO.
PINDEMONTE.
XI.
EXTRACT FROM QUARTERLY REVIEW.
WALLACE’S INVOCATION TO BRUCE.[64]
CANTO II.
CANTO III.
PART II.
THE LAST BANQUET OF ANTONY AND CLEOPATRA.
THE TROUBADOUR AND RICHARD CŒUR DE LION.
EXTRACTS FROM CONTEMPORARY REVIEWS.
THE SCEPTIC.[136]
CRITICAL EXTRACTS FROM REVIEWS.
XXVIII.
IL CONTE DI CARMAGNOLA;
Scene V.
CAIUS GRACCHUS.
THE FEVER DREAM.
A PRIZE POEM.
ERYRI WEN.
Scene III.—The Sea-shore.
Scene IV.—Entrance of a Cave, surrounded by rocks and forests. A rude Cross seen among the rocks.
Scene V.—A Banqueting Hall.—Provençal Nobles assembled.
Scene III.—Hall of a Public Building.
Scene VII.—Garden of a Convent.
STANZAS TO THE MEMORY OF GEORGE THE THIRD.
A TALE OF THE SECRET TRIBUNAL.
PART II.
THE BARD’S FAREWELL.
BELSHAZZAR’S FEAST.
LIII.
CV.
XXVIII.
THE CID’S RISING.
THE VOICE OF SPRING.[256]
SONG OF THE BATTLE OF MORGARTEN.
ODE ON THE DEFEAT OF KING SEBASTIAN OF PORTUGAL, AND HIS ARMY, IN AFRICA.
CHORUS.
DIRGE, (heard without.)
CHANT.
Scene VIII.—Before the Altar of a Church.
[CRITICAL ANNOTATIONS ON THE “SIEGE OF VALENCIA.”
TO FAUNUS.
Scene II.—Garden of a Palace.
ACT IV.
Scene III.—An Arab Encampment round a few
ANNOTATION ON “DE CHATILLON.”
LIV.
VIII.
LXI.
CRITICAL ANNOTATIONS ON “THE FOREST SANCTUARY.”
THE ISLE OF FOUNTS;
THE FAREWELL TO THE DEAD.
Chapter 69
HAUNTED GROUND.
OUR LADY’S WELL.[327]
THE HEBREW MOTHER.[333]
THE WINGS OF THE DOVE.
DRAMATIC SCENE BETWEEN BRONWYLFA AND RHYLLON.
THE SWITZER’S WIFE.
EDITH.
PAULINE.
THE GRAVE OF A POETESS.[352]
THE SPANISH CHAPEL.[353]
THE DEATH-DAY OF KÖRNER.[356]
ROMAN GIRL’S SONG.
ANNOTATION ON “RECORDS OF WOMAN,” &C.
ITALIAN GIRL’S HYMN TO THE VIRGIN.
THE TOMB OF MADAME LANGHANS.
THE DESERTED HOUSE.
THE SONG OF NIGHT.[378]
TASSO’S CORONATION.[384]
TO AN ORPHAN.
THE ANTIQUE SEPULCHRE.[391]
TO A WANDERING FEMALE SINGER.
O’CONNOR’S CHILD.
THE BROKEN LUTE.
MARGUERITE OF FRANCE.[401]
AN HOUR OF ROMANCE.
PARAPHRASE OF PSALM CXLVIII.
AND I TOO IN ARCADIA.
THE LAST SONG OF SAPPHO.
THE IVY-SONG.[416]
LET HER DEPART.
COME TO ME, GENTLE SLEEP!
CATHEDRAL HYMN.
EASTER-DAY IN A MOUNTAIN CHURCHYARD.
Scene—Prison of the Luxembourg in Paris, during the Reign of Terror.
THE PAINTER’S LAST WORK.
NIGHT HYMN AT SEA.
MARY MAGDALENE BEARING TIDINGS OF THE RESURRECTION.
TO THE SAME.
TO THE BLUE ANEMONE.
SCENES FROM “IPHIGENIA.”
HOPE OF FUTURE COMMUNION WITH NATURE.
SABBATH SONNET.[443]
PROFESSOR NORTON.
Chapter 113
Chapter 114
INDEX
INDEX OF FIRST LINES
HUGH MILLER’S WORKS.
OPINIONS OF THE PRESS.
THE DAY AFTER THE HOLIDAYS.
Library Edition of Standard Works.
NIMMO’S POPULAR EDITION OF THE WORKS OF THE POETS.
THE CABINET OF GEMS.
8. On Holy Ground; or, Scenes and Incidents in the Land of Promise. By Edwin Hodder, Author of ‘Memories of New Zealand Life,’ ‘The Junior Clerk,’ etc.
5. Stories of School Life. By Ascott R. Hope. 6. Stories of French School Life. By Ascott R. Hope.
4. CHRIST’S TRANSFIGURATION; or, Tabor’s Teachings. A Glimpse of Christ’s Glory and Intercourse with His People for Ever.
COMPLETION OF THE COPYRIGHT EDITION OF WILSON’S TALES OF THE BORDERS, AND OF SCOTLAND: HISTORICAL, TRADITIONARY, AND IMAGINATIVE.
THE WAY AND THE LIFE.
THINGS A LADY WOULD LIKE TO KNOW,
THE FULL PROJECT GUTENBERG™ LICENSE